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- WELCOME TO THE KENSINGTON CHORALWORKS CATALOG -
PLEASE NOTE:
Due to our having transitioned into the Fred Bock and Hal Leonard catalogs,
many titles are now linked to their systems.
As necessary, simply enter our octavo's title or catalog number into their search box.
(Contact us if you have any questions.)
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Grading Key:
E = Easy M/E = Moderately Easy
M = Medium Difficulty M/A = Moderately Advanced
A = Advanced |
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Composer Key:
CH = Curtis Heard
CJ = Cory Johnson
DN = Don Neufeld
KJF = Kent Jon Fenske KN = Ken Neufeld LA = Lisa Alexander PW = Peter Williams RvH = Randy Van Horne |
| About the Catalog You may view select pages from our scores by clicking on any linked title. (There will be anywhere from one to four pages of music per screen, which you can see by maneuvering your scroll tabs. Additionally, there may be one to four screens per title: up to eight music pages per composition. In such cases, a link signifying "next page >>>" will appear at the top left of the screen.) As you peruse these pages, please expect our music to be well-crafted, well-presented, and adhering to the highest degree of choral standards. Indeed, in its conception, superior expectations are placed on singers. Additionally, keyboard parts may require accompanists of advanced (or high-intermediate) ability. Vocal lines will be characterized by excellent voice-leading, tonal harmony, lyric melodies, and quality texts. Such hallmarks combine to afford performers and audiences, alike, a most memorable musical experience. We trust you will find a wealth of new choral repertoire here, and we hope you will return often. ---Thank you! NOTE: Titles preceded by an asterisk are not yet available elsewhere. Should you have questions about any of these pieces, please contact us. |
*America the Beautiful (KN) Two-Part Voices, Piano (E) KC1029 - $1.50 Fittingly patriotic, with accompaniment that mirrors the words to each verse: flowing figures depict ‘spacious skies, amber waves of grain;’ sustained chords illicit reflection of ‘heroes proved;’ alternate melodies and altered chords inspire ‘patriot dream;’ sparked with the fervor of an oft-recurring martial rhythmic pattern. Originally requested for junior high voices, this setting works extremely well with more-mature ensembles. |
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| *American Traditional (KN) SATB, Piano (M/A) KC1009 - $2.95 This is a concert medley of early American hymns. From its spirited opening (‘Come, Thou Fount of Ev’ry Blessing’) to its gentle close (‘My Shepherd Will Supply My Need’), this medley encompasses marvelous vocal settings (occasional divisi in all parts), enhanced by its evocative piano score. Joyful, contemplative, triumphant, ever-sensitive to the lyric, Mr.Neufeld’s arranging “tunes our hearts to sing God’s praise.” In addition to the hymns already mentioned, the collection (rather Copland-esque, at times) includes: ‘All is Well,’ ‘O God, Our Help in Ages Past,’ ‘How Firm a Foundation,’ and ‘Wondrous Love.’ There is occasional divisi throughout this work. (This medley was originally commissioned for the University of Utah A Cappella Choir.) [10:00] |
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*An Empty Tomb (KN) SSATB, Piano (M/E) KC1021 - $1.95 This piece was commissioned with the request that it lead 'up to,' but not 'into' the joy of Easter's "Alleluia!" An optional dramatic reading focuses upon the disciples' brokenness and confusion over Jesus' death. The anthem extends the drama, as it relates the testimony of the three women who come from the tomb in fear, yet with excited anticipation of what the angel has told them. A powerful chorus foreshadows the triumph of the morning---and every morning thereafter. Soloists may be used for all but the final chorus, adding even more strength and drama to its performance. [5:30] |
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*Blessed Assurance (KN) SATB w/Solo, Piano & Flute (E) KC1002 - $1.50 A lovely, sometimes rhapsodic, arrangement of this favorite hymn (by Fanny Crosby and Phoebe Knapp), incorporating Bach’s ‘Jesu, Joy of Man’s Desiring.’ Very effective. |
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 Bring Me the Sunset (from 'A Stranger Yet') (KN) SATB, Piano (M/E) KC2003 - $1.95 University of Miami Chambers Singers are conducted by doctoral candidate, Mr Sam Spears. TO ORDER THIS TITLE, CLICK HERE. With Dickinson at her metaphoric and metaphysical best (metaphysical in its purest sense), text and music combine into a moving, inspirational miniature, suitable for most venues. [4:10] (For more information, see "A Stranger Yet", listed below in the SECULAR category.) |
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*Cantique de Jean Racine (KN) Two-Part Voices, Keyboard (M/E) KC1024 - $1.50 An adaptation of Gabriel Fauré’s wonderful work, specifically for choirs of limited forces, useful in any configuration. Mr. Neufeld maintains both musical and textual integrity of this prayer, merely condensing and deftly thinning out the original SATB score. Includes both French and English lyrics. |
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 Carols of the Heart (PW) SSA, Piano (M/E) KC1039 - $1.95 The women of California State University, Long Beach, perform TO ORDER THIS TITLE, CLICK HERE. These three carols are absolute gems, masterfully wrought with elegant simplicity. And out of this very simplicity, reflecting the miracle of the Christ-Child, Mr. Williams touches us with the emotions of each text. The miracle, here, is how he does so with such economy of note! Highly rewarding, and destined to become classic Christmas repertoire for treble voices. (This trio is an excellent choice for programming along with Britten's Ceremony of Carols. The accompaniment translates very effectively to the harp!) [6:40]
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*Come, Holy Spirit (KN) SATB, A Cappella (M) KC1017 - $1.75 Centering around a recurring and overriding entreaty to "shine Your light upon us," this prayer comprises a series of supplications, both personal and communal. The music, reflective of the text, varies from introspection and concern to ebullient praise and hope. The homophonic setting is segmented into three major sections: an invocation of the Holy Ghost; reasons for our need of Him; all followed by specific petitions. This work was commissioned and premiered by The Anglican Chorale of Southern California. |
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*Come, Thou Fount of Every Blessing (KN) SATB, Piano (M) KC1022 - $1.50 A marvelously energetic and inventive arrangement of this popular hymn. John Wyeth’s enduring melody is treated in unison, 2- 3- 4- and (optional) 6-part sections; briefly a cappella, and polyphonic, at times, but predominantly wedded to a constantly moving orchestral-like accompaniment. Voice-parts lie mostly within a moderate range. If you’re seeking to “teach” your choir “some melodious sonnet, sung by flaming tongues above,” this is it! [3:00] |
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 The First Noel (DN) SATB, Piano and/or Orchestra (M/E) KC1033 - $1.95 Orchestral Parts (1 complete set) KC1033-B - $85.00 Azusa Pacific University Choir & Orchestra perform TO ORDER THIS TITLE, CLICK HERE. This work has, for years, been an important part of Disneyland’s Candlelight Procession (in which the Christmas Story is told), and we are happy to make it available, in published form, for the first time. From its atmospheric opening to its sweeping final verse, Don Neufeld has given us a traditionally definitive setting of the famous carol. Primarily utilizing unison, 2- and 4-part writing, extended voicings do occur (especially for the women), all to marvelous effect. The angels’ first “noel” echoes, re-echoes and builds, in the brief but exciting introduction; a shimmering underlay accompanies the star as “to the earth it gave great light;” and the very reason for the angels’ song is emphatically stated and restated in the final page’s “Born is the King.” Masterful and effective, this arrangement is a rich and meaningful addition to any Christmas concert or service. [5:15]
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*He Leadeth Me (KN) SATB, Piano (M/E) KC1016 - $1.75 While the words of the popular older hymn remain, new music now embraces the text, in this arrangement. Moments of unison, two-part, and four-part writing are all utilized, and a setting of the 23rd Psalm is fittingly folded into the mix. A charming melody, with all parts easily learned and sung, this will be a memorable and useful anthem to have available for many occasions. "Whate'er I do, where'er I be, still 'tis God's hand that leadeth me." *Hodie! Fanfare & Dance (KN) SSA, Piano (M/E) KC1013 - $1.75 A delightful addition to any Christmas program. The piece begins with a short a cappella fanfare, after which the piano enters, setting the mood for a rhythmic Spanish-flavored dance. The ancient Latin text is combined with new English lyrics. [3:30]  (I Got a) Home in-a That Rock (KN) SSAATTBB, A Cappella (M/A) KC1012 - $1.95 Listen... TO ORDER THIS TITLE, CLICK HERE. An exciting and energetic treatment, fittingly exuberant for this most-affirming of Spirituals. Propelled by its syncopations, punctuated with close harmonies, and handclaps, the jazzy setting expands from an opening baritone solo eventually to 8-parts, through sections of call-and-response, counter-melody, and rhythmic figures, all culminating at its rousing climax: "...no more water, but FIRE next time!" [3:00] *I Lift Mine Eyes (KN) SATB, Organ (M/A) KC1010 - $1.75 Not a setting of Psalm 121, but a text by Henry Wadsworth Longfellow: one of six poems from his translation of Dante's Divine Comedy. This is a grand, festival anthem, well-suited for the dedication/anniversary of a sanctuary, All Saints/All Souls Day, etc.
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*King Immanuel (KN) SATB, A Cappella (E) KC1003 - $1.75 Azusa Pacific University Choir performs excerpts Originally written for, and recorded by, the Azusa Pacific University Choir, this is an effective, easy, call-and-response spiritual. *King of Glory (KN) SATB, A Cappella (M/E) KC1006 - $1.50 Listen to Troy University Chambers Singers Sensitive to its reverent (17th-century) text, honoring Christ, this is a fittingly contemplative setting. "King of Glory, King of Peace, I will love Thee: And that love will never cease, I will move Thee..."
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*Kum Ba Ya (KN) ST/AB, Piano (E) KC1001 - $1.50 Listen... Originally a ‘Best Seller’ for Jenson Publications, this is definitely NOT a campfire sing-along version! Mr. Neufeld brings an incredible new approach to this simple tune. While vocal lines encompass little more than a divisi between high and low voices, the masterful touch is in the keyboard. In fact, this arrangement has been deemed “a work for piano, with vocal accompaniment.” The hymns "May the Mind of Christ..." and "The Old One-Hundredth" become counter-melodies in two separate verses. Extremely effective in any two-part combination, this piece been recorded by the Pendyrus Male Choir of Wales, on their Midland CD, ‘Now is the Hour.’ *Land of Pure Delight (KN) SA/TB, Piano (E) KC1019 - $1.50 A flowing, romantic melody compliments the text (adapted from Isaac Watts) in this original by Mr. Neufeld. Both unison and easy two-part writing, culminating in the final chorus’ beautiful descant, render this a “quick learn” for any choir. Simple, yet fulfilling and memorable! [5:00] *Music for Liturgical Service (KN) Choir/Congregants, Keyboard (E) KC1031 - $1.75 This collection consists of six inter-related selections from Christian liturgy. Reminiscent of Ralph Vaughan Williams, Kenneth Leighton and others, Mr. Neufeld adds his contemporary touches to High Church music influenced by the Anglican tradition. The works are primarily two-part (occasionally more), but work well as unison pieces with or without congregational participation. The set includes: Opening Acclamation, Gloria, Gloria Patri, Sursum Corda, Sanctus, and Agnus Dei. (Each may be purchased separately. Please contact us for pricing.) .gif) ...available in either SSA or SATB editions (see descriptions below) Musica, Dei Donum Optimi (CJ) SSA, Piano (M/E) KC1014 - $1.75 Listen... TO ORDER THIS TITLE, CLICK HERE. "Music, Exalted Gift of God" is beautifully melodious work that practically sings itself! Harmonically stunning, as well, Mr. Johnson deftly weaves melody and counter-melody, over a flowing accompaniment. This is destined to become a contemporary classic in the SSA repertoire. [3:00] Musica, Dei Donum Optimi (CJ) SATB, Piano (M/E) KC1020 - $1.95 Listen... TO ORDER THIS TITLE, CLICK HERE. Cory Johnson has adapted his popular SSA classic finto an SATB setting. This new version will reveal his charming work to a much wider audience. (The SSA description, above, still applies, but with a 4-part, mixed voice texture in mind.) [3:00]  My Beloved Spake (PW) SATB, A Cappella (M) KC1035 - $1.50 Listen... TO ORDER THIS TITLE, CLICK HERE. In this contemporary setting of the famous lyric from Song of Solomon, Peter Williams utilizes a palette, reminiscent of Halsey Stevens, full of bold dissonance, yet retaining a grounded sense of tonality. The work is pervaded by a somewhat angular, but lush beauty, which strikingly complements the text. [2:00] *A New Song (KN) SATB, Keyboard (M/E) KC1005 - $1.50 Adapted from various Psalms, this is a joyous, driving song of celebration and praise, predominantly in an uncomplicated 7/8 meter. In A-B-A form, the melody of section A is inverted for the slower, more meditative B section.
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O Come, O Come, Emmanuel (KN) SATB, A Cappella (M/E) KC1007 - $1.95 String Parts (1 complete set) KC1007-B - $35.00 Hear excerpts by Singers Elite TO ORDER THIS TITLE, CLICK HERE. Touches of Medieval chant and Renaissance polyphony join (tonal) 20th-century harmonies in this glorious rendering of the French plainsong hymn. (Optional accompaniment for string orchestra---arranged by Don Neufeld---is also available.) [3:30] *Our Heritage Doth Stand (KN) Two-Part Voices, Keyboard (M/E) KC1018 - $1.50 This arrangement can be performed by male, female, or mixed choruses. Celebrating our spiritual heritage, this bright, bold anthem is marked by straight-forward unison vocal writing, based on a melody by 16th-17th Century composer Bartholomäus Gesius. Accompanimental harmonies, adapted from Bach’s setting, are couched in rhythmic neo-Baroque interludes of constantly changing meter. The middle of three verses presents singers with the only real challenge, in that it continues these rhythmic ideas. (It may be sung by a soloist.) Our title stems from a line in the 3rd verse: “Before us and beside us, still held in Thy great hand, a cloud of unseen witness, our heritage doth stand...” [3:00] *Praise to the Lord (KN) SATB, Keyboard (M) KC1030 - $1.75 The German hymn, Lobe den Herren, is wonderfully wrought in this strong setting. Unison and two-part writing is offset by full SATB forces, as dictates the moment. Over a rich and varied accompaniment, melody and rhythm experience occasional re-inventing (most noticeable in an alternating 6/8-2/4 section), bringing new ideas to this mighty hymn---yet without straying far from its traditional moorings. (Optional brass parts will soon be available.) *Psalm 67 (KN) SATB, Piano (M) KC1028 - $1.50 Though predominantly triadic, this mildly Stravinsky-like setting loses the third in frequent preference to open (and parallel) fifths. It also incorporates mild dissonance, and cross-rhythms creating brief moments of tension and relaxation. A canonic section builds the phrase “O let the nations be glad and sing,” breaking into a joyous triple meter over the accompaniment’s duple, at “sing for joy.” This concept is reiterated, slightly, in “Let the people praise Thee, O God,” which likewise intensifies in each of its two shorter statements.  A Psalm in Stillness (KJF) TTBB, A Cappella (M/E) KC1034 - $1.50 Listen... TO ORDER THIS TITLE, CLICK HERE. Ethereal and expansive, this chantlike motet for men’s voices is incredibly rich in texture and sonority. A lovely balance of polyphony and homophonic passages, Mr. Fenske has masterfully crafted a work of haunting beauty. This adaptation of Psalm 62 is a worthy and moving addition to male voice repertoire ...for which it will, no doubt, become a standard! [2:45] *Silent Night (KN) SATB, Piano (E) KC1026 - $1.50 A simple, yet striking contemporary adaptation of the beloved carol. Easily learned and performed: unison, 2- and 4-part sections mesh with a truly beautiful accompaniment to produce a profoundly effective addition to your church or school Christmas programs. This setting was originally written for St. Mary’s College of Christchurch, New Zealand. [3:40]
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*The Voice of the Lord (KN) SAB, optional solo(s), Keyboard (E) KC1030 - $1.50 A setting of Psalm 29 in a wonderful contagious gospel style, in typical three-part voicing. The opening section is declamatory and quasi-recitative, prior to a gentle solo (which is then repeated by the choir), on the words “Give to the Lord the power due His name...” A second solo completes what might be referred to as the verses, after which the choir re-enters, echoing the words of this second verse (“The voice of the Lord thunders in the heavens...”), with a more obvious refrain. This builds and becomes more jubilant over another repetition before calming back down to finish the line, “And may He bless His people with peace.” Easily learned and performed, this became an instant “hit” with both choir and congregation, at its premiere! *Three Quaker Anthems (KN) SATB, Keyboard (E) KC1023 - $2.25 These pieces were written for the First Friends Church of Whittier, California. Each song is, for the most part, fittingly contemplative, and predominantly serene. Vocal writing is appropriately straight-forward, and accompaniments generally simple, expressive, and amenable to organ or piano.
 Veni, Sancte Spiritus (KN) SSAATTBB, A Cappella (A) KC1015 - $1.95 Cantori Domino performs excerpts TO ORDER THIS TITLE, CLICK HERE. Winner of the 2004 Juan Bautista Comes Choral Composition Competition in Segorbe, Spain, this work is a prayer of petitions. First altos, then sopranos, join in a polyphonic invocation of the Holy Spirit. The music grows to four-part women in chordal harmony, leading to the men’s entrances. Various dynamic and textural changes occur throughout the piece. Extended, broadly-voiced harmonies, typified by polychords and brilliant flashes of dissonance, balance the more intimate sections and also support a high solo soprano chanting above the choir. Bold and expansive, this is a work demanding strong forces. [10:00] (ERRATA: Our first edition unfortunately contains three small errors: the alto half-notes, in bar 31, should obviously be dotted; the second tenor, in bar 55, should be an F#; and the second sopranos’ B-natural, in measure 93, changes to a B-flat at the ‘sub mp’, on the word “nihil”. We apologize for any confusion. Corrections will be made in our second printing.) Wayfaring Stranger (KN) SSAATTBB, A Cappella (M/A) KC1008 - $1.95 Listen... TO ORDER THIS TITLE, CLICK HERE. The evocative, haunting tune wanders among each of the four voice-parts, while the reflective, personal lyric shares moods of hardship, of longing, and of transport. Careful not to detract from these moods, the arranger builds stylized effects into the musical fabric. These serve to infer the song’s country and (perhaps) period of origin: occasional sparse, open harmonies (reminiscent of early-American hymns), an American Indian motif, even a few ‘blue’ notes. [4:50]  Who is at My Window? (KN) SATB, Keyboard (M/A) KC1011 - $1.95 TO ORDER THIS TITLE, CLICK HERE. Adapted from 15th-century Old English, this intense, anonymous text has been masterfully set, reminiscent of the music of Herbert Howells (to whom the piece is an homage). Deeply intimate and powerful, all at once, you will seldom find a better wedding of word, music and emotion, especially at a moment of high drama, where Christ asks us to “Remember the spear that pierced my heart.” This, then, slowly melts into a strikingly simple soprano melody, beautifully-supported initially by the keyboard, until the remaining voices enter: “I ask nothing of thee, therefore, but love for love, to lay in store. Give me thy heart, I ask no more...” There is a brief solo for alto or baritone. [5:45] |
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A Stranger Yet (KN) An imaginative, award-winning collection of songs set to nature poems of Emily Dickinson.
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*The Angel of Angels Flight (KN) SSAATTBB, Piano, optional Chimes or Handbells (and Trolley Bell, if you have one!) (M/E) KC2015 - $1.95 A prize-winner in the 2005 "Celebrate L.A. Composition Contest," hosted by the West Coast Singers and the City of Los Angeles, this little theatrical pastiche recalls L.A.'s historic funicular, “Angels Flight” (without an apostrophe, by the way), in a lighthearted novelty piece, right out of the Gay '90's ...complete with barbershop quartet and music hall chorus girls! Here’s the tale of a young man who meets a “heavenly creature in a mortal’s gown” while travelling up Bunker Hill on the World’s Shortest Railway. This 'period piece' with its text full of puns, affords plenty of opportunity for comedic improvisation and "stylized" singing. A delightfully amusing addition to any concert. |
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| *Aurore ("Dawn") (KN) SATB, A Cappella (M/E) KC2011 - $1.50 Here's a midi piano adaptation A glorious partsong, well-suited for large or small ensembles. Gentle and melodic (with a brief divisi in the soprano, near the end), this 17th-century text is set with charm and romance. [2:25] |
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*The Ballad of Casey Jones (KN) SATB, Piano (M/E) KC2005 - $1.95 The (true) story of the engineer who became a legend, is told is this imaginative setting. A pure novelty number for adults, it also serves as a challenging (but enjoyable) exercise for singers as young as middle school. The song begins and ends in the railyards, but, in between, singers take the audience on the ride of their lives, as the locomotive picks up speed, and hurtles down the track. There is brief dialogue for two actors, and sound effects for the whole ensemble. |
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*Battlecries of Freedom (KN) SSAATTBB, Percussion (A) KC2008 - $3.50 While this concert medley basically commemorates the American Civil War, it is a work that can be used in any program requiring a dramatic showpiece. Loud and cacophonous at times---not unlike war itself---this medley also affords intimate moments (‘Just Before the Battle, Mother,’ and ‘A Soldier’s Farewell’) and, of course, those of patriotic fervor (‘Rally Round the Flag’ and ‘Battle Hymn of the Republic’). The main work (7-8 minutes in length) ends with a crescendoing call to arms, and is quite dramatic on its own. However, there is an additional and optional setting of ‘Taps’ (about 2 minutes), more or less forming a coda, which can heighten that drama. A few solos exist. Highly evocative and effective! [@10:00] |
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 Come, Live with Me (KN) SATB, A Cappella (M) KC2004 - $1.95 Listen to Zephyr sing TO ORDER THIS TITLE, CLICK HERE. A proposal of marriage, Christopher Marlowe’s famous poem, The Passionate Shepherd to His Love (as adapted by Shakespeare in The Merry Wives of Windsor), serves as text for this beautiful partsong. Originally written for a wedding, the work lends itself to any concert in which a romantic text and lush vocals are suitable. [3:10] |
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 Come to Me (LA) SATB, A Cappella (M) KC2009 - $1.95 Zephyr sings again TO ORDER THIS TITLE, CLICK HERE. This gorgeous setting of an original poem explores the many faces of love: plaintive and soothing, intoxicating and ecstatic, bittersweet and joyful. The music reflects the text, varying between lush harmonies and a spare, modal, texture, with flowing, interlacing lines and extended suspensions, often sprinkled with incidental soprano soli. Ms Alexander's masterful writing yields a very satisfying choral experience! [3:00] |
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 Danny Boy (KN) SATB w/solo, Piano (M/E) KC2007 - $1.75 TO ORDER THIS TITLE, CLICK HERE. The endearing Irish ballad ("Londonderry Air") is harmonically and sentimentally richer in this evocative setting. Typical of many Neufeld pieces, the piano again takes on an orchestral role, while the voices combine in lush harmonies. The solo, in the final verse, befits a true Irish tenor! [4:30] |
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 Elfin Music (KN) SATB, Piano (M/E) KC2006 - $1.75 Listen to Troy University Chambers Singers TO ORDER THIS TITLE, CLICK HERE. Using Percy Bysshe Shelley’s poetic flight of fancy, this is an engaging, spirited romp into a magical world where creatures “gibber their joy in sleep---drunk with the honey wine of the moon... which fairies catch in hyacinth buds.” Faintly reminiscent of Mendelssohn's or Vaughan Williams' approach to A Midsummer Night's Dream. [2:00] |
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FauréVoix: "Re-Voicings" of Fauré Art Songs (KN) for Mixed Choir, Piano & Solo Instrument Many choirs shy away from music in foreign tongues. And while French is one of the world's most beautiful languages, it can, indeed, be tricky for singers unfamiliar with it. Three of THESE French pieces use no language at all, and the fourth is an adaptation into English. Innovative and imaginative, these songs will create a totally new moment in your concerts. FauréVoix affords the singers a new performance role: taking a slight step back, melding with the piano in many cases, to serve as accompaniment for a soloist. Each movement, whether sung separately or in a grouping, is an outstanding showcase for instrumentalists, and singers will revel in the fact that there is no foreign language to learn! Each piece adds oft-needed variety to a program.
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 The Lark at Heaven’s Gate Sings (CJ) SATB, A Cappella (M) KC2020 - $2.25 Listen as Zephyr performs TO ORDER THIS TITLE, CLICK HERE. Cory Johnson’s skill at part-writing is gloriously exemplified in this masterful setting of Shakespeare’s text. From the echoing opening, enjoining us to "Hark!" we follow the soft arcs of melody, as they wing through contrapuntal phrases, or alight, momentarily, to nest in sumptuous chordal harmonies. This piece quickly proves to delight both singer and audience. [3:30] |
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 Moreton Bay (KN) SATB, A Cappella (M) KC2022 - $1.75 Hear an excerpt all the way from Australia TO ORDER THIS TITLE, CLICK HERE. A tender arrangement of an Irish/Australian folksong, harkening back to Brisbane’s penal colony. There is some divisi in all parts, predominantly in men's voices, where there is also a tenor solo. A lovely setting, appropriate to the text's (and tune's) emotion. [3:45] |
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 On Wings of Song (KN) SSAA, Piano (E) KC2010 - $1.95 Listen... TO ORDER THIS TITLE, CLICK HERE. A wonderfully singable, florid arrangement of Mendelssohn’s art song; perfect for women’s voices, yet not beyond the reach of younger choirs. (Originally released through Jenson Publications.) [2:00] |
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*The Reminder (KN) SATB, Piano (M/E) KC2013 - $1.50 Harmonies, appropriate to its somewhat biting text, characterize this pastiche, punctuated with occasional birdcalls in the accompaniment. Thomas Hardy’s poignant (yet pointed) lyric adds an important message (and a colorful musical miniature) to any concert ...though best-suited for winter and Christmas. [1:50] |
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 Songs from Twelfth Night (KN) SATB, A Cappella (M) KC 2014 - $2.25 TO ORDER THIS TITLE, CLICK HERE. These extremely rich settings of three Shakespeare texts enjoyed wide sales when first released by Jenson Publications. We are happy to make them available once again, to delight singers and audiences, alike! [4:20] California State University, Long Beach, Choir under student director, Randy Pennington
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*Songs of the South (KN) SATB, Piano, optional Sand Blocks (M/A) KC2021 - $3.50 Listen as the University of Utah Choir performs Serious and humorous songs, alike, combine in this American folksong concert medley. Centering around the popular melody, "Dixie," which comes and goes throughout the piece, several Stephen Foster tunes are included, as are spirituals, gospel songs, work songs, jazz, and dance numbers. Broad jokes and tongue-in-cheek humor also find their way into this tour de force. Excellent part-writing and mood-enhancing accompaniment blend to present reminiscences of bygone days, and nearly fifteen minutes of good old-fashioned fun. [13:00] |
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 Spring Songs (KJF) SATB (A) KC2023 - $2.25 Cantori Domino performs excepts TO ORDER THIS TITLE, CLICK HERE. Kent Jon Fenske offers deft treatment of four wonderful texts, each celebrating a different aspect of Spring: nature, hope, frivolity and love. Each piece is brief, and can stand alone. However, as a set, “Dandelions,” “Promise,” “The Kite” and “Rendezvous” complement each other perfectly. At certain moments, in the latter, one may sense a faint reminiscence of “The Coolin’” (Samuel Barber/James Stephens), conjured up not only by the text, but the handling of melody and harmony. A challenging, unique, and highly worthwhile quartet of partsongs. (ERRATA: Our first edition unfortunately contains two small errors. In the third full measure of "The Kite," the third soprano note should be a C#, not an A. The piano reduction needs correcting there as well. Also, in bar 3 of "The Promise," the second right hand notes of the reduction should be Eb & Bb. Corrections will be made in our second printing.)
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*Tangled in the Vine (KN) SATB, Piano (A) KC2019 - $2.95 A humorous toast, subtitled: "The Folly of Drink." Two anonymous texts, another by William Butler Yeats, and a fourth paraphrasing an Oliver Wendell Holmes poem. (For college level and above.) [8:05]
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 Three Folksongs for Men's Voices (CH) TTBB, A Cappella (M) KC2017 - $1.95 TO ORDER THIS TITLE, CLICK HERE. Written for the Notre Dame Glee Club and director Daniel Stowe, Curtis Heard demonstrates his ample talent in these charming renditions. From a languorous testimonial to love, to rousing revelry and farce along the river Don, culminating in a plaint of sacred parting, this set is a "must" for all male choirs! [8:00] Performances by the Notre Dame Glee Club
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*Three Love Songs (KN) SATB, A Cappella (M/A) KC2018 - $2.50 The texts are from Thomas Moore’s 19th-century collection of poetry, entitled “Irish Songs.” (For college level and above.) [5:50] Zephyr performs selections
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*To Music (KN) SATB, Piano (M) KC2016 - $1.95 Utilizing yet another text by the 17th century poet, Robert Herrick, the composer has created a fantasia (of sorts) for voices and piano. The work is a plea to Music herself, for comfort and deliverance from earthly woes. From its initial motif of A-scending notes, the accompaniment continually strives to direct us heavenward, while the singers (as poet) find difficulty in breaking free of their earthbound state, signified by the preponderance of their own DE-scending lines. [5:30] |
 (In the) Good Old Summertime (RvH) SSAATTBB, Piano/Rhythm Section (M) KC2029 - $2.25 Stroll down a shady lane with the Randy Van Horne Singers TO ORDER THIS TITLE, CLICK HERE. This is a perfect example of “classic” Randy Van Horne! A popular old chestnut, first published in 1902, is given an extended, full harmonic treatment, retaining its original charm, but adding Randy’s typical witty signature. The humor can remain understated, or, with some theatrics, be brought to the fore without detracting from the marvelous 8-part choral writing. For general use, it’s fun to sing anytime; but it would be the perfect addition to programs themed around Valentine’s Day, Tin Pan Alley, or the Gay ‘90’s. [2:20] |
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 The Grackle (KN) SSAATTBB, A Cappella (A) KC2012 - $2.25 Zephyr has at it This phenomenal jazz miniature is a witty, finger-snappin’ showstopper. Ken Neufeld demonstrates his skill at writing vocal jazz in this setting of an imaginative and amusing text by contemporary playwright and lyricist, Scott Guy. This swingin’ tale of birdland is characterized by a catchy syncopated melody, which is supported by a walking bass until the song takes flight, at which time the voicing spreads out like wings. A novel little vocal dance break (perhaps a courting ritual for the story’s subjects?) is inserted just prior to the final chorus. Skillful singers required! [2:30] |
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 Have Yourself a Merry Little Christmas (KN) SSAATTBB (M/A) KC2025 - $2.25 Singers Elite perform TO ORDER THIS TITLE, CLICK HERE. A luxurious choral version of the seasonal favorite, originally sung by Judy Garland in the MGM musical “Meet me in St Louis.” Typified by interweaving vocal lines and lush layered harmonies, this is the perfect anchor for your themed Holiday concert---or at the very least, an opulent showcase for your choir’s abilities! This arrangement has been performed by the Los Angeles Master Chorale, under Grant Gershon, on their Holiday Programs at Walt Disney Concert Hall. It's an elegant 'Choral Christmas Card' with which to extend warm wishes to your audience! (A couple lyric options render this suitable for religious as well as secular venues.) [4:00]
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 I Got Jazz (RvH) SATB, Piano/Rhythm Section (M) KC2027 - $1.75 Got Jazz? Dig this! ...Excerpts by the Randy Van Horne Singers TO ORDER THIS TITLE, CLICK HERE. The talents of both Cynthia Morrow (lyricist) and Randy Van Horne combine in a smooth yet swingin’ little jazz gem. The text is clever, full of jazz references, and the music couldn’t fit the lyrics better. A piano accompaniment is written out, but a standard chord chart is also included, making it easy to improvise new accompaniment, as well as add a rhythm section. This is a fun ‘feel good’ piece which singers and audiences, alike, will love! With “I Got Jazz,” Kensington Choralworks is proud to kick off its Randy Van Horne Choral Series! [1:55] |
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 Squeeze Me (RvH) SSAATTBB, Piano/Rhythm Section (M) KC2028 - $2.25 Here's a brief excerpt. TO ORDER THIS TITLE, CLICK HERE. This is an excellent and inventive choral setting of Duke Ellington, thanks to Randy Van Horne’s masterful touch! Ladies’ voices introduce a sultry recurring motif in this unique evocative arrangement, so representative of the 1950’s choral jazz sound. The piece affords a rich palette of harmonies, along with a few surprises to keep listeners from being lulled into a false sense of “easy listening” security. Predominantly written with thick spread texture, there are well-timed tempo changes, moments of close harmony, rhythmic accents, and so on ...and so "retro"! [4:00] |
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The following titles are scheduled for future release through
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Angels and the Shepherds SATB, Organ A joyous setting of the popular Bohemian carol; a commissioned work. |
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| The
Carol Suite SATB, Piano A medley of sacred Christmas songs, suitable for church and concert venues. |
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| Farewell
to the Islands SATB, A Cappella An arrangement of one of Hawaii’s own songs, written by Princess Like Like. |
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| Go
to the Ant SATB, A Cappella Various short readings on the subject of nature’s industrious digger, along with 4 songs.
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I Saw Three Ships SATB, A Cappella Rhythmic and harmonic interest is created in this new setting of this Christmas favorite. |
Look
to This Day ST/AB, Piano An inspirational miniature, sacred or secular, 2-part, with a text translated from Sanskrit. |
| O Magnum Mysterium SATB, A Cappella Soaring melody, and harmonies punctuated with polychords, well-reflect the inherent mystery of this text. |
Psalm 116 SATB, Piano A wonderfully contemplative setting, as befits the psalm. |
Three
Christmas Miniatures SATB, A Cappella
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| Upon
a Midnight Clear SATB, A Cappella An arrangement of the famous Christmas carol, with optional Handbell/Chime. |
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| Vespers Hymn SATB, Keyboard (opt. Handbells, Woodwinds & Horn) The miraculous story of Advent set to equally miraculous music. |
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| Wisdom
SATB, Piano Text by Reinhold Niebuhr |
OUR COMPOSERS' WORKS ARE ALSO PUBLISHED BY
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Boosey & Hawkes, Inc. Colla Voce (formerly Aberdeen Music, Inc.) EMI Music Publishing Australia Pty, Ltd Piles, Editorial de Musica, S.A. (PLEASE VISIT OUR COMPOSERS PAGE FOR MORE INFORMATION.) |
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settings of English poets ... Long Beach ... Robert Fletcher